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One of the most significant events in the field of puppet theatre this fall was the 7th Biennial Spectaculo interesse international puppet festival that took place from September 30 to
For the 17th time, the first weekend in November hosted One Flew Over the Puppeteer’s Nest (Přelet nad loutkářským hnízdem) showcase. This time, the festival was held at the Minor Theatre and was organised by the Czech UNIMA Centre and the Loutkář (Puppeteer) magazine. This year, 13 companies presented a total of 15 productions. The showcase is open to all professional (statutory as well as independent) theatre companies as well as amateur groups. The dramaturgy of the festival selects the “best, most inspiring and provocative” productions from the previous season. The ERIK Award is given to the Best Production at the end of the festival. This year, members of the UNIMA Centre and 33 experts awarded the Erik to The Alfa Theatre in Pilsen´s production of The Bloody Knee and Other Tales for Naughty Children (Krvavé koleno a jiné pohádky pro zlobivé) (written by Arnošt Goldflam, directed by Petr Vodička, see photo on left). The production of Lapohadky (Lapland Fairy Tales) or The Ice Techno prepared by the DNO Theatre of Hradec Králové (director Kamil Bělohlávek) took a very close second place, and third place was awarded to From the Jungle Book (Z knihy džunglí) - one of the new productions of the Minor Theatre in Prague (directed by Jiří Adámek). This is the first time that one company has received the Erik Award two consecutive years in a row. During the festival, the symposium on The Interaction of the Components of a Theatrical Performance took place. The event was prepared in close collaboration with the Theatre Faculty of the
Supraphon published Skupa’s Classic Spejbl and Hurvínek
Dialogues (Skupovy klasické dialogy Spejbla a Hurvínka) at the end of this year. The five-CD set is a comprehensive collection of sound recordings of Josef Skupa (1892 – 1957), intended not only for fans and collectors of the popular puppet duo, but also for the people not yet familiar with Skupa’s work. The sleeve notes include an essay about Skupa’s art written by Pavel Vašíček. The first recording dates back to the late 1920s and the last is from the mid-50s.
The Theatre of Diversity (Divadlo Rozmanitostí) recently celebrated its 20th anniversary. Founded on
The 25th annual Titirijai 07 International Puppet Festival in Tolosa, Spain ended on Sunday, December 2, 2007. The theme of this year´s festival that ran from November 24th to December 2nd, was A Window on Czech Puppetry, that included the presentation of numerous Czech puppet productions and a series of accompanying activities (round table discussions, lectures, exhibitions) revealing the history and current status of Czech puppet theatre. The Czech companies who were part of the line-up included DRAK Theatre (“Flying Babies”), Naive Theatre Liberec (“Jack and the Beanstalk”), Alfa Theatre (“The Three Musketeers”), Theatre of Vít Marcík (“Bajaja”), Líšeň Theatre (“Robinson”), and Karromato Theatre (“Circo de Madera”). All productions, except the performance from Hradec Králové, were performed in Spanish (“The Three Musketeers” used subtitles for the foreign audience).
The long-awaited exhibition prepared by the Moravian Museum in Brno, curated by Phdr. Jaroslav Blecha and his team, received a great success and was admired by thousands of spectators over the course of the festival. The exhibition required almost five days to prepare and brings the public closer to the remarkable tradition of Czech puppetry from the end of the 19th century to today with displays of puppets and various artefacts. The exhibition will continue to the Palace of the Noblewomen at the Moravian Museum in Brno until the end of March 2008. For more information, see the Moravian Museum website.
The 5th issue of Loutkář (Puppeteer) magazine is dedicated to Miloš Kirschner (1927-1996) who would have celebrated his 80th birthday. Jiří Středa, his long-time collaborator, and Karel Makonj provide intimate insights into his work with the Spejbl and Hurvínek Theatre. The issue also contains interviews with Kirschner´s children – Denisa and Miloš Kirschner, who are also currently working with the Spejbl and Hurvínek Theatre. Kirschner devoted his life to both puppet characters.
For more information about the Puppeteer Magazine, contact Nina Malíková or visit their website www.divadlo.cz/loutkar
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